PROGRAM
April 6
17:30 - Conference Opening
18:00 - Keynote Speaker
Alfonso Palazón (Rey Juan Carlos University. Madrid, Spain)
Cinema as a sense of reality and representation
19:00 - Cocktail Dinner
April 7
10:00 - Keynote Speaker
Daniela Angelucci (Roma Tre University, Italy)
What can cinema teach to philosophy?
10:45 - Coffee Break
11:00 - Session 1
Chair: Maria Helena Maia (Oporto University School of Arts/ Arnaldo Araújo Research Centre, Oporto, Portugal)
Renato Essenfelder (University Fernando Pessoa/Center for Research in Arts and Communication, Oporto, Portugal)
Memory and psychomagic in Alejandro Jodorowsky’s cinema
Marc Boumeester (ArtEZ University of the Arts, Arnhem, The Netherlands)
Cinematographing Perception: Between The Autopoiesis And Entropy Of A Mediumless Medium.
Raf Wollaert (PhD Candidate, University of Antwerp, Belgium)
‘Cinéma Modèle': Re-enacting Marcel Broodthaers’ Cinema
Debate
12:30 - Lunch Break
14:30 - Session 2
Chair: Alfonso Palazón (Rey Juan Carlos University, Madrid, Spain)
Mariana Beatriz Marques Fernandes (Faculty of Arts and Humanities of the University of Porto, Oporto, Portugal)
The Cinema Costume as Heritage: patrimonialization and management processes
Isolino Sousa (Oporto University School of Arts , Oporto, Portugal)
Television and cinema: what relationship?
Alba Zarza-Arribas (University of Valladolid, Valladolid, Spain / Arnaldo Araújo Research Centre, Oporto, Portugal)
Josefina González Cubero (University of Valladolid, Valladolid, Spain / Arnaldo Araújo Research Centre, Oporto, Portugal)
Lisbon-Madrid: Between ideas and representation of housing
Debate
16:00 - Coffee Break
16:15 - Session 3
Chair: Pedro Crispim (Arnaldo Araújo Research Centre, Oporto, Portugal)
Cláudia Costa Pires (Faculty of Arts and Humanities of University of Porto, Oporto, Portugal)
Christopher Nolan's Tenet, The audiovisual translation of inversion.
Luís Miranda (Oporto University School of Arts, Oporto, Portugal)
“I TORCHED THE LAST ONE!” - (Re)fabulations of the Stories of History and Cinema in Quentin Tarantino’s “Once Upon a Time…in Hollywood”
Talita Caselato (University of Lisbon, Faculty of Fine Arts / Centre for Fine Arts Research and Studies, Lisbon, Portugal)
The construction of subjectivity in the film-essay "Veronica" through the singularity of the spaces and sounds of the city.
Debate
April 8
10:00 - Keynote Speaker
Nina Tedesco (Federal Fluminense University, Rio de Janeiro, Brazil)
“Tônica Dominante": reflections on a historical photograph for women in Brazilian cinema"
10:45 - Coffee Break
11:00 - Session 4
Chair: Luís Miranda (Oporto University School of Arts, Oporto, Portugal)
Pedro Crispim (PhD Candidate, New University of Lisbon / Arnaldo Araújo Research Centre, Oporto, Portugal)
Roman Polanski: The power plays
Anja Isabel Schneider (Faculty of Fine Arts, Cuenca / ARTEA - Research and scenic creation (UCLM), Madrid, Spain)
The operatic unconscious in the films of Alexander Kluge & Khavn De La Cruz
Nelson Araújo (Oporto University School of Arts / Arnaldo Araújo Research Centre, Oporto, Portugal)
Liliana Rosa (Oporto University School of Arts, Oporto, Portugal / ESTA-IPT / Ifilnova, NOVA FCSH, UNL, Lisbon, Portugal)
Dialogisms between Le Bassin de J.W., directed by João César Monteiro, and other arts
M. F. Costa e Silva (Oporto University School of Arts / Arnaldo Araújo Research Centre, Oporto, Portugal)
Digital cinema and cinematography aesthetics: filmic intersection between Edgar Pêra and Pedro Costa
Debate
12:30 - Closing Session
